| |
|
|
|
Bibliography |
|
| |
|
| |
 |
MARTHA
SCHWENDENER, Art Review, "All the More Real," New York Times,
August 2007 |
| |
|
| |
 |
Carlos Suarez
De Jesus, Miami New Times, "The Large and Small of It
From dirt specks to sprawling canvases, these shows clog the eyes,"
April 27, 2006 |
| |
|
| |
 |
Teresa Anna, The Virginian-Pilot,
"Baby Boom," January, 1997. "Interview with
the Artist," September., 1998 |
| |
|
|
| |
 |
Sandy Ballatore, Images & Issues,
"James Croak’s New Myths," Winter Issue, 1984 |
| |
|
|
| |
|
Alf Bartvedt, Impressions, (Oslow:
H. Aschehoug & Co., 1996) pp. 224 |
| |
|
|
| |
 |
Deborah
DiBlasi, Pitch Weekly, "Dirty Work," March, 2001 |
| |
|
|
| |
 |
David Bonetti, San Francisco Examiner,
"Gallery Watch," May, 1995 |
| |
|
|
| |
 |
Suzaan
Boettger, Sculpture, "Dirt Works," November- December 1992 |
| |
|
|
| |
 |
James R.Chiles, Smithsonian Magazine,
March 1985 |
| |
|
|
| |
 |
Michele Cone,
Artscribe, "Reviews," Fall 1991. |
| |
|
|
| |
 |
Thomas
Csaszar, Sculpture, Reviews, September, 1999. |
| |
|
|
| |
 |
Dr. Jerry Cullum, Art Papers Magazine,
" Crossing Borders" November, 1999 |
| |
|
|
| |
 |
Robert Curcio, Cover, Reviews, May,
1999 |
| |
|
|
| |
|
Collins & Milazzo, Catalogue "Across
The River and Into the Trees," June 1994 |
| |
|
|
| |
 |
Catherine
Dorsey, Port Folio Magazine, Birth of An Exhibit, January 1997. |
| |
|
|
| |
 |
Hunter Drohojowska:
Artforum, "Young Turks Review," February 1982.
High Performance, "Young Turks Review," Fall, 1981.
New West, "The Artist Armed," September 1982.
James Croak: New Myths and Heroic Allegories, (Los Angeles: Otis-Parsons,
1983) |
| |
|
|
| |
 |
Wolf Von Eckart, Time Magazine, "Auto
Intoxication," September 1984. |
| |
|
|
| |
 |
Mark St.
John Erickson, Daily Press, "Heavy Art Done with a Light Touch,"
December, 1998 |
| |
|
|
| |
|
John Fairley, The Art of the Horse,
(New York: Abbeville Press, 1995) pp. 178-179 |
| |
|
|
| |
|
Joan Frank, Boys Keep Being Born,
(Missouri: University of Missouri Press, 2001) cover |
| |
|
|
| |
 |
Colin Gardner,
Artweek, "Revising the Archetype," November 1983. |
| |
|
|
| |
 |
Suvan Geer, Los Angeles Times, Review
of "Spellbound," Oct., 1989. |
| |
|
|
| |
 |
Jonathan Gilmore,
Art In America, Review of Stux 2001 show, January 2002 |
| |
|
|
| |
 |
Katrien Gottlieb, Het Parool (Netherlands),
February 1994 |
| |
|
|
| |
 |
Jonathan
Goodman, Sculpture, Review of 2001 Stux show, May 2002. |
| |
|
|
| |
 |
Doris Grootenboer,
Algemeer Dagblad (Netherlands), February 1994. |
| |
|
|
| |
 |
Kathleen Hagarty, Los Angeles Times,
"Reviews," February 1982 |
| |
|
|
| |
 |
Pamela Hammond, Images & Issues,
"Forms in Space," March 1985 |
| |
|
|
| |
 |
Hellen A. Harrison, New York Times,
review of "The Riddle of the Sphinx." Nov 1994 |
| |
|
|
| |
|
Eleanor Heartney, Arts, "Reviews,"
June 1984. |
| |
|
|
| |
|
Anthony Iannacci, Titolo (Italy),
"La Positiva Assenza Di Originalità Nell’Arte,"
October 1992 segno (Italy), |
| |
|
|
| |
 |
Tom Jacobi, Stern (Germany), "Die
Cowboys Haben Umgesattelt," March 1985 |
| |
|
|
| |
 |
Ken Johnson, New
York Times, review of "Show of Hands" May 21, 1999 |
| |
|
|
| |
 |
New York Times, review of "New
York Classicism Now," Sept. 9, 2000 |
| |
|
|
| |
 |
Vincent Katz,
ArtNews, review of "Dirt Man" show, September 1994. |
| |
|
|
| |
|
Elizabeth Kirsch, Kansas City Star,
Review: "Ashes to Ashes Dirt to Dirt," May 1997 |
| |
|
|
| |
|
Christopher Knight, Los Angeles Herald
Examiner, "An Artist Who Thrives on Disorder," July 1981. |
| |
|
|
| |
|
Los Angeles Herald
Examiner, "The Bizarre Art of James Croak," Nov 1983. |
| |
|
|
| |
|
Joyce Korotkin, The New York Art World,
Review:"New York Classicism Now" Sept. 2000 |
| |
|
|
| |
 |
Michael Kimmelman, New York Times,
"Review of The Dark Sublime," Oct, 1989 |
| |
|
|
| |
 |
Helen Kosher,
Artweek, "Nighttime Moves," March 1980. |
| |
|
|
| |
|
Barbara Kruger, Artforum, "Review,"
February 1982. |
| |
|
|
| |
 |
James
Croak’s "dirt babies" grow up (Levin) |
| |
|
|
| |
 |
Sven Lütticken,
Het Parool, "Overleven in een hond," January 1996 |
| |
|
|
| |
|
Robert Mahoney, Edifice Rex, "Review
of NY Classicism Now," June, 2000 |
| |
|
|
| |
|
Mary Ann Marger, Times, "Art
Beat," September 1995 Neil Mathews, California Magazine, "Heist
of the Year." February 1982 |
| |
|
|
| |
 |
Thomas McEvilley, "Strategies
for Survival," catalogue essay fr. New Skins for the Coming Monstrosities
(Amsterdam: Galerie de la Tour, 1996) |
| |
|
|
| |
 |
Sculpture,
"The Millennial Figure," October 1997. |
| |
|
|
| |
|
James Croak "Redeeming the Monsters"
(New York: Harry N. Abrams, 1999) 146pp, 108 illus |
| |
|
|
| |
 |
Sculpture in the Age of Doubt (New
York: Allworth Press, 1999) 448pp "Reassembling the Pieces: The
Sculpture of James Croak," |
| |
|
|
| |
 |
George Melrod, Art & Antiques,
"Openings," June 1997 |
| |
|
|
| |
|
Joanne Milani, The Tampa Tribune,
"Some scenes for a crisis," September 1995. |
| |
|
|
| |
 |
Luigi Meneghelli,
Flash Art, Review of "Niente di Nuovo," Summer 1992 |
| |
|
|
| |
|
Saskia Monshouwer, Alert, "Galerie
de la Tour: Vitale Kunst," September 1996 |
| |
|
|
| |
|
Harry Mulisch, The Procedure, (New
York, Viking, 2001) cover |
| |
|
|
| |
 |
Suzanne Munchnic,
Los Angeles Times, "Animal Magnetism," November 1983.
Los Angeles Times, "Lightning and Melodrama," February 1980.
Los Angeles Times, "MOCA Marks A Milestone," December 1988 |
| |
|
|
| |
 |
Edith Newhall,
New York, "Down to Earth," Oct 29, 2001 |
| |
|
|
| |
 |
Paul Bob, Esquire, "The Art of
James Croak," June 1984." |
| |
|
|
| |
 |
Peter Plagens, Art in America, "LA
Roundup," April 1985. |
| |
|
|
| |
 |
Michael Salgado, L.A. Weekly, "Pick
of the Week," November 1983 |
| |
|
|
| |
 |
Peter Schjeldahl,
The New Yorker, "Going Ons About Town," Nov. 2001 |
| |
|
|
| |
 |
Nancy Stapen, Boston
Globe, reviews, March 1994 |
| |
|
|
| |
 |
Bianca Stigter, Handelsblad (Amsterdam,
The Netherlands), February 1994 |
| |
|
|
| |
|
Edward Lucie Smith, American Art Now,
(New York: William Morrow & Co. Inc., 1985) Frontispiece. |
| |
|
|
| |
 |
Edward Sozanski, The Philadelphia
Inquirer, Review of "Child’s Play," October 1991. |
| |
|
|
| |
 |
Marina de Vries, Het Parool, "Madurodam
van Landart," April 1997. |
| |
|
|
| |
|
Barrett Watten, Artweek, "A Condition
of Loss," January, 1992. |
| |
|
|
| |
|
John Welchman, "Peeping Over
the Wall," fr. Narcissism: Artists Reflect Themselves (Escondido:
California Center for the Art Museum, 1996) pp. 19-20, 29, 60 |
| |
|
|
| |
 |
William Wilson, Los Angeles Times,
"The Automobile as Artistic Challenge," July 1984.
Los Angeles Times, Ars Longa, review of "Automobile & Culture"
curated by Walter Hopps’, August 1982.
Los Angeles Times, "California Sculpture Dreaming," August
1982
Los Angeles Times, "Reviews," July 1980.
Los Angeles Times, "Reviews," September 1978. |
| |
|
|
| |
|
|
| |
 |
William Zimmer, "The Body, Ever
the Subject, Never Out of Style," New York Times, August 8, 1999 |
| |
|
|
| |
 |
Leslie Wolf,
LA Weekly, "Art of the Week", Nov 1983 |
| |
|
|
|