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|
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Grants,
Awards, Competitions |
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|
|
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1988 |
Art Matters, Inc. |
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1988 |
New York Foundation for
the Arts Fellowship |
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1987 |
Art on the Beach, Creative
Time, New York , NY |
| |
1987 |
Pollock Krasner Foundation
Fellowship |
| |
1985 |
Awards in the Visual Arts,
AVA4, |
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1976 |
National Endowment for
the Arts |
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1973 |
1973 National Endowment
for the Humanities |
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|
|
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Commissions |
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|
|
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2004 |
Private sculpture garden,
Palm Beach, Fl. |
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1996 |
Private sculpture garden,
Rotterdam, The Netherlands |
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1995 |
The Pierre, lobby commission,
Swanke, Hayden, Connell |
| |
1988 |
Aspen Design Conference,
Aspen, CO large scale sculpture commission. |
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1987 |
Creative Time / New York
City Port Authority, large scale commission (with architects Kreuger
& Kaplan). |
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1975-76 |
NEA (6) large scale sculpture
commissions. |
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|
|
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Publications
by James Croak |
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|
|
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Reviews,
Artnet, 2003 |
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Reviews,
Sculpture Magazine, 2003 |
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The Dig,
Writing on 9/11 (New York, Salon. 2002) |
| |
The Dig, Salon, Sept 19,
2001 |
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New Skins for the Coming
Monstrosities, Project for Atlantic, Madrid. Fall 1997. |
| |
The History
of Everything, fr. The Silent Baroque, Christian Leigh, editor (Salzburg:
Thaddaeus Ropac, 1989). |
| |
Flashart
International, reviews, Italy 1990-1992. |
| |
An’kani,
fr. Babies & Bambies, Nina Folkersma, editor. (Amsterdam:
Maatschappij Arti et Amicitiae, 1994). |
| |
Vertigo
Differance, fr. Vertigo, Christian Leigh, editor (Paris: Thaddaeus
Ropac, 1991) (French / English). |
| |
Exile, play
(James Croak & Penn Young). 1994 |
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Staying
Up, play (James Croak & Penn Young). 1995 |
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